2019, storytelling performance
An alternative history of giants living in Belgium.

2019, ceramic spinning tops, rope, small publication
Two hundred fragile ceramic spinning tops lay and wait for visitors to pick them up and attempt to spin them. Who is willing give it a try?

This project is the combination of a performative object (ceramic spinning tops) and a little publication, containing a guide on how to play with the toy. The step-by-step guide is mixed with an auto-fictive short story which can live on outside of the exhibition context.

ECHO I: Did you hear about the garden? from Ignace Cami on Vimeo.

2019, speakers, oral publication, retold and recorded in Dutch, Berber, Arabic  and Polish
An oral publication of an urban legend, retold by bilingual volunteers in the four most common languages in the street of Gallery Gallery (Borgerhout, Belgium), where it was broadcasted for three days. This project could not have been realized without the help of Buurtwerk Borgerbaan.

2019, storytelling, sandwich board, lasercut, chains
“The Fountain” is a storytelling performance. In a completely circular system the artist’s old artworks are reactivated and transformed in the form of urban legends, giving insight in his world and his mind. These stories are told to whom ever wants to hear them in exchange for an other story.

2019, Prototype – wooden sandal, leather strap, text message in rubber sole
This product was made possible by the “Intimate Terrains Summer School” of Disarming Design From Palestine, in a collaboration with the Palestinian Museum.

A Handmade wooden sandal leaving a message with every step.

Across the globe, people long to return to a home that was once theirs. During the Nakba, a lot of Palestinians were forced to flee, becoming refugees in their own country or in diaspora. They were denied to come back, but still hold on to their right of return. At the same time Palestinians are still suffering restrictions in movement in their own land.

Thahabna le na`oud is a contemporary remake of the traditional wooden “Qubqab” slipper. Anonymous in its design, our slippers carry in their soles a hidden message that is an insistence on the Palestinian right. While we move across the landscape, the slippers imprint in the sand the bold but fragile promise: “We left” … “To come back” … “We left” … “To come back” … “We left” … “To come back” …

Designers: Aya Kirresh, Ignace Cami, Jürgen Buchinger, Lama Aloul, Samar Kirresh

Artisans: Abu Ahmeed (Rahallah Shoes, Shoemaker), Abu Bashar (Carpenter), Samar Abdallah (Samar Style Tailor), Salam Alassi (Assi Advertising Makers, CNC and Lasercutting)


In his interdisciplinary practice, Ignace Cami (°1986, BE) takes folk culture as a starting point to make objects, sculptures, installations and writings. He thereby activates the contemporary meaning of local history.

Trained as a printmaker and sculptor, Cami started moving towards more active and social ways of distributing his projects. Each project creates a new platform for social interaction. By emphasizing familiarity in his own tender and playful way, he pushes the boundaries of performativity and storytelling.


He also ran the artist run CRYING space with Ward Zwart and is a part of collaborative projects like Haas & Gaai, Boris & Kitchenknife and Nestvlieders.

+ CV & selected shows